JOAN BLONDELL
JOAN BLONDELL Epitomized The Tough Gal With A Warm Heart By RONALD L. BOWERS
View ArticlePAUL FRANCIS WEBSTER
PAUL FRANCIS WEBSTER Is One Of The More Durable Writers Of Song Lyrics By MICHAEL B. DRUXMAN
View ArticleLUCILLE BALL
LUCILLE BALL Her Career Is An Example Of The Triumph Of The Will By RONALD L. BOWERS
View ArticleRUBY KEELER
RUBY KEELER Her Tap-Dancing Ability Still Makes Audiences Feel Revitalized By RONALD L. BOWERS
View ArticleBRITISH FILM NOIR: PART 1
BRITISH FILM NOIR: PART 1 BY WILLIAM K. EVERSON In the first of a two-part article, the noted film scholar discusses British noir-which has never been officially acknowledged to exist. Although its...
View ArticleBRITISH FILM NOIR: PART 2
BRITISH FILM NOIR: PART 2 BY WILLIAM K. EVERSON The author provides a rough checklist of British film noir at the end of this article. He discusses the rise of noir from 1938 to its virtual...
View ArticleANNA Q. NILSSON
ANNA Q. NILSSON A Swedish Beauty Who Became A Star 1888-1974 By GUNNAR LUNDQUIST
View ArticleWYATT EARP: PART 1
WYATT EARP: PART 1 BY NICHOLAS ANEZ Earp never killed a man until the gunfight at the O.K. Corral, without doubt the most disputed event of his life-shrouded as it is in confusion, contradictory...
View ArticleWYATT EARP: PART 2
WYATT EARP: PART 2 BY NICHOLAS ANEZ Was he a noble hero or a tragically flawed hero? A dejected and weary gunfighter or a cold-blooded executioner? Most likely the truth about Earp will never be known,...
View ArticleMAUREEN O’HARA: PART 1
MAUREEN O’HARA: PART 1 BY KEVIN LEWIS A marvelous mixture of softness and high spirits, O’hara played the true blue wife or the madcap village lass with equal dexterity and appeal. She was also at home...
View ArticleMAUREEN O’HARA: PART 2
MAUREEN O’HARA: PART 1 BY KEVIN LEWIS In one swashbuckling film, O’Hara, disguised as a boy, fought her way to the battlements, jumped down 15 feet to the ground and continued dueling without losing a...
View ArticleMARY PICKFORD’S DIRECTORS
MARY PICKFORD’S DIRECTORS Included Most Of The Men Responsible For The Grammar Of The Film By JACK SPEARS
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